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Published
in association with SA
Unions, Punch On Punch Off is
a 72 page collection featuring poems about work and
workers.
These
are poems that detail the brutality and savagery of
working life and demonstrate its debilitating effects
on blue-collar and white-collar working people and their
families.
There’s
a woman working on a building site and her story, a
militant Irishman on another, and then there are poems
responding to the ten or twelve hour days spent on some
sites and the issues faced by those workers. There’s
a young woman shop assistant who has to vomit into a
plastic bag behind the counter because there is no-one
to cover for her. There’s a poem on John the bank
robber, bragging about ‘how he never let a gun
show a tremble’, but also detailing the decay
of fourteen years jail and the boredom and attendant
waste. On the other side of the counter there’s
a poem about bank tellers and the stress levels they
live with as they battle with less staff, longer queues
and impatience. Sounds familiar? It’s the Bank
of Montreal in Canada, but it could be … which
bank do you think?
Poems
too on the handing-on of particular knowledge and skills,
and of the keeping of it. Not to forget the perceived
invincibility of the young, and the sometimes tragic
reality. Of the nature of contemporary work and how
a mobile phone is a pre-requisite as bosses’ demand
that workers be on tap 24/7. A poem too on the confusion
as to just what are our inalienable rights? And poems
on the repetitive nature of some semi-skilled work and
the dumbing down effect that is often unmentioned…or
unmentionable. Often what happens at work has a profound
effect within the homes of workers and their families.
These are areas of Australian working life that demand
a re-think.
Punch
On Punch Off contains poems that deal
with the contemporary migrant mix that don’t hide
behind John Howard’s white picket fences.
This
is a collection of confronting poems about a confronting
Australia. They are poems too that revive material from
Geoff Goodfellow’s earlier, now out-of-print collection
No Ticket No Start.
Like
Geoff’s life, this collection twists and turns
towards an acceptance that time is not on your side.
So, if the obvious injuries of class, the broken ribs
and racing hearts, get you down, try reading a couple
from up the back. The focus there is still as sharp
as the language, the beat of the lines no less insistent,
but the framing is larger, and not just because he
is traveling the world. The screws, after all, are
everywhere. From start to finish, one point sticks
out: the truth is a question of who is allowed to
know what. What’s more, Geoff shows that it’s
never too late to learn at least that much.
Humphrey McQueen
check
out Geoff's web site
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